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The Barbarian Invasions /
Les Invasions Barbares (R)

by Denys Arcand

Celebrated Montréal writer-director Denys Arcand's 1986 film Le Déclin de l'empire Américain (The Decline of the American Empire) brought together a circle of verbally virtuoso intellectuals whose liberal ideals languished while they sought refuge from ennui in voracious sexual activity. It was one of the most successful films foreign films of its period, preceeding the director's international smash hit Jesus of Montreal.

Seventeen years later, his award-winning new film The Barbarian Invasions reunites the characters of Le Déclin, though prior knowledge of the characters is not necessary to appreciate the new tale. It powerfully and emotionally explores the relationship between the generations; above all, it is the story of estranged family members grappling to make sense of each other, and a genuine festival highlight.

Here, we find the sharp, salacious Rémy (Rémy Girard) facing mortality. Distressed, his ex-wife Louise (Dorothée Berryman) sends for their successful financier son Sébastien (Stéphane Rousseau). Father and son barely tolerate each other, but Sébastien grudgingly responds to the call of the mother who raised him alone. He organises his father's hospital stay and summons his old friends to his bedside. They arrive, bristling with wisdom and witticisms about love, family and death. And with them comes Nathalie (Marie-Josée Croze), daughter of one of Rémy's friends, who has her own demons.

The Barbarian Invasions, Arcand's second film in French since 1989, is an exemplary work concerning itself with universal themes of love, faith, family and death. Its intelligence, wit, cynicism and hope bristles in every scene. Arcand's vibrant script allows his captivating ensemble countless opportunities to shine.

The director shifts effortlessly between comedy and pathos as he wrestles with the faltering dreams of individuals and nations. The Barbarian Invasions was the winner of the prizes for Best Actress (Croze) and Script at the 2003 Cannes International Film Festival, and at press time received 2004 Academy Award nominations for Best Foreign Language Film and Best Original Screenplay.

Denys Arcand's The Barbarian Invasions scooped three key César awards on Saturday 21 February 2004 in Paris winning in the best picture, best director and best screenplay.

Canada / France - 2003 - 99 mins - Dramatic Comedy - French with English subtitles
Director: Denys Arcand
Script: Denys Arcand
With: Rémy Girard, Stéphane Rousseau, Marie-Josée Croze, Marina Hands, Dorothée Berryman, Louise Portal, Sophie Lorain, Pierre Curzi, Johanne Marie Tremblay, Yves Jacques, Dominique Michel
Distributor in Australia :Hopscotch

The Director

Denys Arcand

Denys Arcand, one of Canada's most celebrated filmmakers, was born in Deschambault, Quebec and studied history at the University of Montréal. After graduation, Denys Arcand went to work for the National Film Board of Canada where he directed the politically charged Cotton Mill, Trademill (1969) and Quebec: Duplessis and After (1970).

In 1972, Denys Arcand left the National Film Board to direct his first feature film, Dirty Money, an ironic thriller involving theft and murder, which screened at the Cannes Film Festival (Critics' Week, 1972). From then on, his films have met both critical and popular acclaim: Rejeanne Padovanni followed by Stone Cold Revenge and Comfort and Indifference (Best Film of the Year by the Quebec Film Critics Association). The Crime Of Ovide Plouffe in 1974, based on Roger Lemelin's novel, sets breaking box-office records in Quebec.

In 1987, Denys Arcand wrote and directed The Decline Of The American Empire, his breakthrough film. Screened in the Directors' Fortnight at Cannes, the film was rewarded with the FIPRESI Prize. It also received an Academy Awards nomination for Best Foreign Language Film and many more international awards.

In 1989, his Jesus Of Montreal was a sensation at the Cannes Film Festival, where it was crowned with the Jury Prize and the Oecumenical Prize. This dazzling mix of passion play drama, Catholic ideology and contemporary satire, earned an Oscar nomination as Best Foreign Language Film and won 12 genie Awards in its country.

In 2000, Arcand's satire on fame, Stardom was selected by several international film festivals and received the Writer's Guild Award for Best Screenplay.

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